What advice would you give the actors Essay Example For Students

What advice would you give the actors? Essay Look at the way Shakespeare presents conflict in a scene from Romeo and Juliet. Imagine you are directing this scene. What advice would you give the actors? This essay is about the presentation of conflict in scene one of act three in Romeo and Juliet. By the end of this piece of work I intend to be able to direct the scene. I will therefore have to include descriptions of dramatic devices and language. I will discuss character motivation, along with social and historical context. This scene is about the conflict between Tybalt and Mercutio and later the fight between Romeo and Tybalt. The scene is dominated by the deaths of Mercutio and Tybalt. The scene starts calm, heating quickly to boiling point, and then returns to a melancholy anti-climax as Benvolio tells of his Montague cousins crime against the Capulets, and the Capulet Tybalts crime against Prince Escalus cousin. We will write a custom essay on What advice would you give the actors? specifically for you for only $16.38 $13.9/page Order now This scene is greatly influenced by the actions of the characters in earlier scenes, which also reflects character motivation. Tybalt wants revenge for the Montague invasion of his uncles party, reflecting his antagonist character, and his fierce hatred for all Montagues. Romeo refuses to fight with Tybalt to start with, as he is married to Juliet- Tybalts cousin- but after Mercutio, Romeos close friend is killed by Tybalt; he acts quickly and in hot blood, killing Tybalt in a fit of grievous passion. The language that Mercutio and Benvolio use at the start of the scene is filled with similes and comparisons. The two men joke with each other, using examples to show how one is more willing to argue than the other. Thou wilt quarrel with a man for cracking nuts, for no other reason than thou hast hazel eyes This quote states obviously that the person in question has an antagonist character. Benvolio says how the mad blood is stirring meaning that the feud has made everyone go mad and seek fights where there need be none, and ominously predicts Mercutios death by saying that he could buy legal ownership of his life, but only for an hour and a half. Later as the feelings turn to anger, Mercutio stirs things up and deliberately picks a fight with Tybalt. Benvolio asks the men calmly to either depart, go into a private place to show their anger, or to calmly talk out their problems, because he knows that their Prince will execute them if they start a brawl again. This language is unusua lly calm in a scene filled with anger, pride and hatred. The social context of the scene is the fact that the two families are feuding, along with the disapproval of their Prince and society as a whole. It would be very difficult to change this without changing the plot of the scene or the major details of the entire play. For example, if you were to change the disapproval of Prince Escalus then he would not have exiled Romeo from Verona, Juliet would run away with him; not take the potion making her seem dead and their premature deaths along with Paris could have been averted. The historical context of the scene is its original setting in Verona during the renaissance period. This was a period of artistic revolution, and ideas about the surrounding world were changing. It was a time when the gap between the extravagant rich upper class and the poverty stricken poor was huge. Shakespeare will have seen both classes, performing for the Queen at court and playing at the theatres in London, and these must have influenced him greatly. It is infinitely possible that Shakespeare assumed that Verona was largely like London and so emphasised this difference as he saw it in London. The context that the scene could be played in (NOT WRITTEN IN) means that the language used and the actions made by the actors would have to be changed. .u427addd4aa288916170f58ba3bb729ac , .u427addd4aa288916170f58ba3bb729ac .postImageUrl , .u427addd4aa288916170f58ba3bb729ac .centered-text-area { min-height: 80px; position: relative; } .u427addd4aa288916170f58ba3bb729ac , .u427addd4aa288916170f58ba3bb729ac:hover , .u427addd4aa288916170f58ba3bb729ac:visited , .u427addd4aa288916170f58ba3bb729ac:active { border:0!important; } .u427addd4aa288916170f58ba3bb729ac .clearfix:after { content: ""; display: table; clear: both; } .u427addd4aa288916170f58ba3bb729ac { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u427addd4aa288916170f58ba3bb729ac:active , .u427addd4aa288916170f58ba3bb729ac:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u427addd4aa288916170f58ba3bb729ac .centered-text-area { width: 100%; position: relative ; } .u427addd4aa288916170f58ba3bb729ac .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u427addd4aa288916170f58ba3bb729ac .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u427addd4aa288916170f58ba3bb729ac .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u427addd4aa288916170f58ba3bb729ac:hover .ctaButton { background-color: #34495E!important; } .u427addd4aa288916170f58ba3bb729ac .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u427addd4aa288916170f58ba3bb729ac .u427addd4aa288916170f58ba3bb729ac-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u427addd4aa288916170f58ba3bb729ac:after { content: ""; display: block; clear: both; } READ: Realistic drama EssayHaving said that changing the historical context would mean changing several elements- costume, scenery, and in some cases language- it would not be difficult to change the setting whilst retaining the original language used. It is tempting to change everything in the scene including the language. If I was directing the scene for a modern audience I would be sorely tried to do so; however I feel that some of the poetic beauty of the scene would be lost if it was translated from Shakespearean to Modern English. For this reason I would make the costumes and settings twentieth century versions, and would set the play in gangland Chicago. I would not howev er cut anything from the scene, or otherwise change the vocal parts of any of the characters.

paper 1 final draft Essays - Marketing, Human Behavior, Behavior

paper 1 final draft Essays - Marketing, Human Behavior, Behavior Agreeing with Craig Kristina Crotty English Comp October 11 th , 2017 INTRODUCTION Advertisements in this generation have become vivid since the early years of marketing. Putting a clear image in everyone's head that women are supposed to look or act a certain way. They have done extensive research since then, as well. Although, even back then women were demonstrated as the stay at home, cook and clean, wife kind of stereotypes, it is now just more intensified with a sexual kind of aspect. I believe that advertising has gotten more graphic in the way they portray men and women. Showing women in a more sexual way makes women seem less intelligent or less competent. Advertisers dehumanize women more than they do men, as society sees it, in the advertisements today. LITERATURE REVIEW There are a few different articles that show studies on how advertisers dehumanize woman and how different they are from men. In "The Effects of Ad Context and Gender on the Identification of Visually Incongruent Products" by Theodore J. Noseworthy, he talks about how the researchers consistently find that woman process groups of visual objects differently than men. Woman are better at judging visual characteristics, rec alling location and identity, noticing when new objects are added, and identifying common factors between objects. Also, that woman have an ability to memorize groups of objects better than men. Noseworthy states that they refer to these groupings as object arrays and that there are two types of object arrays. These two types of object arrays are competing objects and unrelated objects. In the first study they show that woman can identify an incongruent product if it is promoted among competing products. This performance comes to heighten pr oduct eva luations. In study two, they predicted that women would trade off verbal processing for visuo-spatial processing due to capacity limits in memory. In the researcher's findings, the female ability to identify the incongruent products came at the expense of ad claim recognition. The researcher's show that this is due to a higher rate of ad claim incursion. They did not expect this to occur for males so it brought them to study three. Although, visuo-spatial elaboration disrupted verbal processing, it only occurred for women. The theories for these studies show that the research has direct implications for consumer behavior. The researcher's state that is it important to understand that there are dramatic differences in how males and females process contextual arrays when exploring the effects of advertising context. In "Why the U.S. Ad Industry Will Never Regulate Gender Stereotypes" by Kristina Monllos and Patrick Coffee, states that the British's ASA (Advertising Standar ds Authority) announced that they plan to take a tougher line on ads that mock people for not conforming to gender stereotypes to better serve the public. The ASA cannot ban offending advertisements as consumer complaints but it can recommend that certain campaigns be pulled from commercials. Gender stereotypes have always been an issue in the American advertisement industry and Jessica Greenwood, svp of strategy and partnerships, believes that this state-sanctioned "smackdown" on sexist spots would never happen in the United States. They also acknowledge the factor of the new cycle, which is that a brand releases a campaign ad that offends key members of its target audience, those consumers make their opinions known on social media which cause a backlash to the brands, only to come up again in the next misguided marketing move. Kat Gordon, CEO of 3% Conference, believes that if agencies and brands come together they can fix gender stereotyping. Stating that they need to have dive rse people making the ads, having agencies amend their languages about stereotypical depictions of women, and talk about stereotypes from the start. This article also states that the United States and Great Britain have come to the same conclusion, just in very different ways; that brands know that stereotyping more of their target audiences will not help boost sales. The next article gets into more detailed about stereotypes, typically stereotypes of women and how they are portrayed in advertisements. In "Images of Women in Online Advertisements of Global Products: Does Sexism Exist?" the authors show tables based on product categories and stereotype

Pride in Will Marry When I Want and Woman at Point Zero Essays

Pride in Will Marry When I Want and Woman at Point Zero Essays Pride in Will Marry When I Want and Woman at Point Zero Essay Pride in Will Marry When I Want and Woman at Point Zero Essay However, despite the differences, there are interesting comparisons to be drawn in the values portrayed, through a sense of pride, that seemingly span both cultures. Gigand sees himself as strong, male figure. He holds a great sense of pride is his masculinity or manhood. A man brags about his own penis, However tiny. Is repeated throughout the play. For Gigand the reference to his penis is an obvious symbol of his manhood. His pride in his masculinity is enforced by another symbolic presence: there hangs a sheathed sword. This masculine symbol gives the Image again of strength, power and struggle suggesting these traits of manhood are concepts he values highly every day and In the protection of his family and land. Here there are similarities to be drawn with Furious In Woman at Point Zero. Furious also holds a certain type of pride In womanhood. However this Is ultimately due to her hatred of men rather than strength of her gender Each time I picked up a newspaper and found the picture of a man who was one of them, I would spit on It. This pride in womanhood Is shown not through a love of herself, but through her relationship with Shari. Sharply, Like many of the men before her uses and manipulates Furious. However Shari Is the first character In the text that dominates Furious that Furious still shows respect and obedience l willingly became a young novice In Sharis hands. Her respect of Shari shows that she values womanhood and women who show power without the dominance of men. Furious Is told by others she Is ugly Do not forget what a nose she has. Its big and ugly like a tin mug. However she begins to develop a pride In her own womanhood with the revelation of her beauty and her body With a new body, smooth and tender as a rose petal My body was slender, my thighs tense. This new found pride In her body comes with her Independence. Pride in Will Marry When I Want and Woman at Point Zero By sleigh In both l Will Marry When I Want By Enggrew Tithing and Enggaga Mir and male sasss Egypt. l Will Mary When I Want differs in that it focuses on the battle to resents: there hangs a sheathed sword. This masculine symbol gives the image concepts he values highly every day and in the protection of his family and land. Here there are similarities to be drawn with Furious in Woman at Point Zero. Furious also holds a certain type of pride in womanhood. However this is ultimately newspaper and found the picture of a man who was one of them, I would spit on it. This pride in womanhood is shown not through a love of herself, but through her relationship with Shari. Shari, like many of the men before her uses and manipulates Furious. However Shari is the first character in the text that dominates novice in Sharis hands. Her respect of Shari shows that she values womanhood Furious is told by others she is ugly Do not forget what a nose she has. Its big and ugly like a tin mug. However she begins to develop a pride in her own womanhood with the revelation of her beauty and her body With a new body, smooth and tender as a rose petal My body was slender, my thighs tense. This new found pride in her body comes with her independence.